![]() This can work wonders to pull a little extra plucky attack out of something like a bass while still keeping the low end firmly controlled and preventing it from getting thumpy. One more example: use two bands with broadly similar ratios and thresholds, but slightly different timing to accentuate different parts of a signal. Or, you could move that band split lower down to just compress the low end of an instrument or bus. For example, you could create a single split somewhere in the upper midrange and use the high band like a de-esser, or high-frequency limiter to control spikey high frequency transients. Of course, you may only want to compress a single band. The Neutron compressor also offers targeted compression for up to three independent bands. Of course, if you’re after some more conventional compression, Modern and Vintage modes give you a range of options to choose from. ![]() Or try reducing the dynamic range but using a higher attack setting to leave-or even enhance-some of the initial snap of the transients. Try overdoing the settings, as shown below, and then turning down the Mix control in the signal chain header for some parallel goodness. The amount control allows you to either increase or decrease your signal’s crest factor, while the attack and sustain controls allow you to fine tune the shape and timing of the dynamics processing.ĭon’t hesitate to get creative with this though. Honestly, we could dedicate an entire article to everything you can do with Neutron’s compressor, but here are some key bits of functionality that go beyond your typical compressor controls, and high-level ideas on how to use them.įirst, Neutron’s new Punch mode is a simplified take on traditional compression that gives you direct control over your signal’s dynamics with just three controls. Vintage mode can be just the ticket for a “Hulk Smash” approach to drum rooms mics, while Optical mode can provide some nice bass leveling with a touch of harmonic coloration. I personally like Solid State followed by Vintage or Optical!Īlso, don’t hesitate to try Nectar’s compressors on things like drums and bass. If you find those to be too colorful, Digital mode with RMS detection can be astonishingly invisible, while still imparting the level control you need.įor a classic approach to vocal compression, try using Compressor 1 for fast transient control, and Compressor 2 to even out the body of your vocal. If, on the other hand, you want to add some harmonic coloration, give Solid State mode a try.įor a smooth, even body, Vintage and Optical modes with RMS detection really shine. If you’re looking to keep things clean and pristine, stick with Digital mode. Nectar’s Digital and Solid State compressor modes are particularly well suited to transient control when set to use peak level detection. These days, many digital compressors model the saturation and tone of their analog counterparts. Subtle harmonic distortion and “box tone” is a big part of what gives these coveted compressors their place in history. To add color or tonal alteration: Hardware compressors often impart a desirable, useful tone that results from the unique designs of their analog circuitry. Sidechain compression is one way of doing this, though you can also shape groove without an external sidechain input, particularly on a looped phrase you can change the feel of a drum kit or a bass part, for example. To alter the groove or feel of an instrument: You can use a compressor to shape the groove of an instrument in a variety of ways. You can squash them down into the body of the signal for a denser sound, or accentuate them for more smack and excitement. To shape transients: Using the attack and release controls, you can really alter how transients come across. Think of a vocal that grows too loud at the end of each phrase. To control a signal’s overall dynamics: The signal level varies too much between loud and quiet sections, and we want to control its dynamic range. If you’re new to compression, you may also want to get up to speed on some common mistakes to avoid. Before we look at all the compressors on offer, let’s quickly recap the main reasons we would choose to use compression in the first place.
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